Special Issue: Montage Reloaded
Welcome to a special issue of [in]Transition that examines the legacy of the Russian avant-garde and the pioneering masters of the Russian montage school. The issue comprises four audio-visual works presented at the Symposium “Eisenstein for the Twenty First Century”, which took place in Prato in June 2018 and was supported by Monash University and the Australian Research Council. We extend our thanks to Julia Vassilieva for coordinating this outsatnding collection of work.
Christian Keathley
co-editor, [in]Transition
Editors: Julia Vassilieva (Editor)
Editorial
Introduction: Montage Reloaded
Julia Vassilieva
2020-01-06 Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Research Articles
The Future Within Us
Helen Grace
2020-01-04 Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
The Idea of a Series: Energy Vectors in Montage
Adrian Martin and Cristina Álvarez López
2020-01-03 Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Reimagining Glass House
Zoe Beloff
2020-01-03 Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
After the Facts
Karen Pearlman
2020-01-06 Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Issue Archive
-
Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014