Welcome to issue 9.2 of [in]Transition, which features seven pieces of peer-reviewed videographic work on the following topics: U.S. lifestyle television and the racist histories beneath some of its surfaces; a sensuous exploration of the films of French-Senegalese writer-director Alain Gomis; the persistent figure of the cinematic woman artist; a career trajectory investigation of U.K. actor Alan Bates, centering on one of his movie roles in particular; the nostalgia and disenchantment of mainstream contemporary science fiction films; the SundanceTV series Rectify and its rich storytelling techniques and themes; and a survey of live-action filmic representations of the comic book villain, the Joker.
Editors: Catherine Grant (Editor), Neepa Majumdar (Editor), Juan Llamas-Rodriguez (Editor), Christian Keathley (Editor), Drew Morton (Editor)
Research Article
Displacement, Intimacy & Embodiment: nearby Alain Gomis’ Multi Sensory Cinema
Estrella Sendra
2022-08-31 Volume 9 • Issue 2 • 2022
Four Ways to Be a Woman Artist… According to the Movies
Susan Felleman and Hannah Shikle
2022-08-31 Volume 9 • Issue 2 • 2022
That’s a Long Time… A Rectify Video Essay
Christine Becker and Tanner Cipriano
2022-08-29 Volume 9 • Issue 2 • 2022
Why So Serious? Clowning, the Method, and Performative Adaptations of the Joker
Aaron Taylor, Bryn Hewko, C. Blake Evernden and Ryan Harper-Brown
2022-08-31 Volume 9 • Issue 2 • 2022
Issue Archive
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Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014