Welcome to a double issue of [in]Transition. 10.2 features no fewer than twelve excellent and innovative pieces of peer-reviewed videographic work on the following, very wide-ranging topics and formal explorations: temporality and editing in Denis Villeneuve's 2016 film Arrival; a videographic (and deeply autobiographical) reflection on pedagogy in an introductory American film history course; the underlying dynamic and embodied patterns of meaning-making in cinema; on bodies and senses in Tsai Ming-liang’s cinema; on Patricio Guzmán’s The Pearl Button as media environmental philosophy; philosopher Jean-François Lyotard's deconstructionist audiovisual performance in a 1978 episode of the French TV series Tribune Libre (Letter to the editor); a parametric exploration of the poetic, historical, and affective qualities of three American films about the 2008 financial crisis; a cumulative and recursive study of extras' acting in the 1979 film Breaking Away; an epigraphic study of fan video ('vidding') and videographic criticism as two different forms of commenting on media through media; the contribution made by fashion photographer and color consultant George Hoyningen-Huene to the films on which he worked, as well as to film colour aesthetics of the 1950s and 1960s; the work of Japanese artist and screen-media maker Ninagawa Mika, her 2021 film Helter Skelter and its significance in terms of film theoretical debates about the gaze; and an exploration of important and urgent questions surrounding the licensing of public domain moving images.
Editors: Catherine Grant (Editor), Barbara Zecchi (Editor), Eva Hageman (Editor), Drew Morton (Editor), Neepa Majumdar (Editor)
Research Articles
A History Of The World According To Getty Images
Richard Misek
2023-06-19 Volume 10 • Issue 2 • 2023
'Isn’t that going to be awfully dull and drab?' George Hoyningen-Huene’s use of neutrals
Lucy Fife Donaldson
2023-08-06 Volume 10 • Issue 2 • 2023
Speculative Identification: (a character study)
Samantha Close
2023-06-13 Volume 10 • Issue 2 • 2023
Vital Coasts, Mortal Oceans: The Pearl Button as Media Environmental Philosophy
Matthew Holtmeier
2023-06-13 Volume 10 • Issue 2 • 2023
Cutting Across Time: Oblique Editing in Arrival
Gregory Brophy and Shawn Malley
2023-08-05 Volume 10 • Issue 2 • 2023
Issue Archive
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Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014