This special issue of [in]Transition (11.3) emerges from a collaborative endeavor to explore the intersection between videographic criticism and aging studies, through interventions that denounce gendered configurations of ageism within audiovisual cultures, while advancing a gerontophilic practice-based research that gives shape, form, and discourse to an “affirmative” conception of old age.
Barbara Zecchi, editor and special issue curator
Kevin Ferguson, production editor
Jason Mittell, journal manager
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Editors: Barbara Zecchi (Curator and Editor)
Editorial
Research Article
Knit One, Stab Two
Alison Peirse
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
彼岸花 / Equinox Flower (Warr’s Constraint)
Colleen Laird
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Aging Faces, Voice, and Barbara Steele’s Revenge
Libertad Gills
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Dear Barbara Loden: Reconsidering Wanda (1970)
Sadia Quraeshi Shepard
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Desert Hearts: An Aging Queer Trilogy
Dayna McLeod
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
What Would Manu Say? Mothering, Midlife, and Mayhem in Netflix's Mai
Nilanjana Bhattacharjya
2024-09-25 Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Issue Archive
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Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014