Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions hero image.
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

The editors of [in]Transition are pleased to present this double issue — a specially curated dossier of videographic work produced by participants in the Indefinite Visions conference and workshop, orgainzed by Richard Misek and held in June 2016 at the Whitechapel Gallery, London. This event brought together experienced videographic producers and first-time makers in a wonderful spirit of collaboration and innovation. We are proud to have the opportunity to showcase the resulting work — most of it produced in a very short period of time and in less than perfect circumstances — which is wide-ranging in approach and bristling with imagination and ideas.

The videos span across this page and the first half of the issue, which includes Richard Misek's overview of the project.

Editors: Richard Misek (Editor)


Research Articles

Martyrs for the Mass
Martyrs for the Mass

Kevin Lee and Kriss Ravetto

2017-05-31 Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

Flicker and Shutter
Flicker and Shutter

Tracy Cox-Stanton

2017-05-31 Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity
WTF IS THAT? The Pre- and Post-Cinematic Tendencies of Paranormal Activity

Allison de Fren and Brian Cantrell

2017-05-31 Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

In Praise of Blur
In Praise of Blur

Richard Misek and Martine Beugnet

2017-07-10 Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

Emerald Transmutations
Emerald Transmutations

Patricia Pisters, Ian Magor, D. N. Rodowick, Jacques Perconte, Polly Stanton, David Verdeure and Rosa Menkman

2017-05-31 Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions

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