This special issue of [in]Transition is the second featuring work that emerged from the June 2017 workshop Scholarship in Sound & Image, hosted at Middlebury College and generously funded by the National Endowment for the Humanities Office of Digital Humanities. As in 2015, the workshop brought 15 participants -- graduate students this time -- in film and media from the United States and Europe to work with a team of experts to collectively explore how to produce and conceptualize videographic criticism. The participants had a range of video production experience, but the majority were novices. By the end of the two weeks, all participants had started producing a piece of videographic criticism based on their research area.
We invited participants to continue working on their pieces beyond the workshop, and to submit them to [in]Transition to undergo our standard open peer review process. This issue publishes five projects, on a range of topics and employing an array of styles, all representing the first videographic works for each of these scholars. The accompanying statements and peer reviews highlight the various ways that their work both builds on traditional scholarship and offers innovations in film and media studies. Beyond these five exemplary projects, other workshop participants from 2017 have submitted videographic work to [in]Transition for future publication -- so stay tuned!
Special thanks to the NEH and Middlebury College for their generous support for this workshop, and to our co-conspirators Ethan Murphy, Catherine Grant, August Laska, Corey Creekmur, and Liz Greene, all of whom contributed insight and inspiration to these five videos and many other works in progress.
Christian Keathley and Jason Mittell, Co-Editors and Workshop Co-Conveners
Editors: Christian Keathley (Editor), Jason Mittell (Editor)
Research Articles
Sound in Hanna-Barbera
Patrick Sullivan
2018-10-01 Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
America is (Not) Cool
Jenny Oyallon-Koloski
2018-09-30 Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Issue Archive
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Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014