Volume 8 • Issue 1 • 2021 hero image.
Volume 8 • Issue 1 • 2021

Welcome to [in]Transition’s first issue of 2021, 8.1. This issue features a variety of peer-reviewed videographic work, ranging from topics such as segregation and coffee sets in Brazil in Que horas ela volta (The Second Mother, Anna Muylaert, 2015); decay in essay films such as Journey to Italy (Roberto Rossellini, 1954), Rock Hudson’s Home Movies (Mark Rappaport, 1992), and Decasia (Bill Morrison, 2002); metaphorical nymphs in both Mnemosyne Atlas (Aby Warburg, 1924–1929) and Histoire(s) du Cinéma (Jean-Luc Godard, 1998); sleeping figures in Wong Kar-wai’s films; and desktop documentary on the newly-restored Distant Journey (Daleká cesta, Alfréd Radok, 1948).

Due to delays around the global pandemic, we were able to publish three issues last year, ending with issue 7.3. We appreciate all of our contributors', reviewers', and readers' patience as the editors have worked on a delayed pandemic schedule, and we enthusiastically look forward to viewing and engaging with future submissions of videographic work. 

Editors: Kevin L. Ferguson (Editor)


Research Articles

The Coffee Set
The Coffee Set

Barbara Zecchi

2021-03-31 Volume 8 • Issue 1 • 2021

Uncertain Presence
Uncertain Presence

Harrison Wade

2021-03-31 Volume 8 • Issue 1 • 2021

Grammatology of the Nymph: Godard and Warburg
Grammatology of the Nymph: Godard and Warburg

Miguel Mesquita Duarte

2021-03-31 Volume 8 • Issue 1 • 2021

Wong Kar-wai’s Sleepers
Wong Kar-wai’s Sleepers

Ken Provencher and Jiro Plutschow

2021-03-31 Volume 8 • Issue 1 • 2021

Distant Journey through the Desktop
Distant Journey through the Desktop

Jiří Anger and Jiří Žák

2021-03-31 Volume 8 • Issue 1 • 2021

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