Volume 9 • Issue 2 • 2022 hero image.
Volume 9 • Issue 2 • 2022

Welcome to issue 9.2 of [in]Transition, which features seven pieces of peer-reviewed videographic work on the following topics: U.S. lifestyle television and the racist histories beneath some of its surfaces; a sensuous exploration of the films of French-Senegalese writer-director Alain Gomis; the persistent figure of the cinematic woman artist; a career trajectory investigation of U.K. actor Alan Bates, centering on one of his movie roles in particular; the nostalgia and disenchantment of mainstream contemporary science fiction films; the SundanceTV series Rectify and its rich storytelling techniques and themes; and a survey of live-action filmic representations of the comic book villain, the Joker. 

Editors: Catherine Grant (Editor), Neepa Majumdar (Editor), Juan Llamas-Rodriguez (Editor), Christian Keathley (Editor), Drew Morton (Editor)


Research Articles

shiplap
shiplap

Eva Hageman

2022-09-01 Volume 9 • Issue 2 • 2022

Displacement, Intimacy & Embodiment: nearby Alain Gomis’ Multi Sensory Cinema
Displacement, Intimacy & Embodiment: nearby Alain Gomis’ Multi Sensory Cinema

Estrella Sendra

2022-09-01 Volume 9 • Issue 2 • 2022

Four Ways to Be a Woman Artist… According to the Movies
Four Ways to Be a Woman Artist… According to the Movies

Susan Felleman and Hannah Shikle

2022-09-01 Volume 9 • Issue 2 • 2022

That’s a Long Time… A Rectify Video Essay
That’s a Long Time… A Rectify Video Essay

Christine Becker and Tanner Cipriano

2022-08-30 Volume 9 • Issue 2 • 2022

Alan Bates ‘78
Alan Bates ‘78

Jacob Smith

2022-09-01 Volume 9 • Issue 2 • 2022

Like There’s No Tomorrow
Like There’s No Tomorrow

Joel Blackledge

2022-09-01 Volume 9 • Issue 2 • 2022

Why So Serious? Clowning, the Method, and Performative Adaptations of the Joker
Why So Serious? Clowning, the Method, and Performative Adaptations of the Joker

Aaron Taylor, Bryn Hewko, C. Blake Evernden and Ryan Harper-Brown

2022-09-01 Volume 9 • Issue 2 • 2022

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