Welcome to [in]Transition’s second issue of 2021, 8.2. This issue features a variety of peer-reviewed videographic work focused on a diverse array of topics from video games and virtual reality to horror films and documentary film practice.
Our usual editorial operations and publishing schedule have undoubtedly been affected by the pandemic. We especially appreciate all of our contributors' and reviewers' work, therefore, and also our readers' patience. We enthusiastically look forward to viewing and engaging with future submissions of videographic work. You can review our submission guidelines here.
Finally, some news that we're expanding our editorial team here at [in]Transition in two ways! First off, we have appointed three new co-editors who will be joining the journal fully over the next few months: these are Katie Bird (Assistant Professor in Film Studies and Digital Media Production in the Department of Communication at the University of Texas at El Paso), Eva Hageman (Assistant Professor at the University of Maryland in American Studies and the Harriet Tubman Dept. of Women, Gender and Sexuality Studies), and Juan Llamas-Rodríguez (Assistant Professor in the School of Arts, Technology and Emerging Communication at the University of Texas at Dallas). We are really thrilled that these great scholars and video makers will be joining us and bringing their many talents, specialties, and interests to bear on our editorial processes.
The second expansion we're engaged in and are very happy to announce is the introduction of a team of Associate Editors for the journal, a group of nine dynamic early career academics, post-doctoral researchers, and several more junior scholars, from around the world (all making or thinking about videographic scholarship and criticism) who will help support the journal in a variety of ways: Ariel Avissar; Cormac Donnelly; Libertad Gills; Cydnii Wilde Harris; Evelyn Kreutzer; Hoi Lun Law; Nike Nivar Ortiz; Jordan Schönig; and Maryam Tafakory.
Editors: Drew Morton (Editor)
Research Articles
Transitional Moments in Cinematic Virtual Reality
Sarah Atkinson
2021-06-14 Volume 8 • Issue 2 • 2021
Stories of Haunted Houses: Female Subjects and Domestic Spaces in Contemporary Gothic Films and TV Series
Chiara Grizzaffi and Giulia Scomazzon
2021-06-16 Volume 8 • Issue 2 • 2021
Shoot to Kill: The Weaponized Gaze of the American Action Film
Lennart Soberon
2021-06-19 Volume 8 • Issue 2 • 2021
Issue Archive
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Volume 11 • Issue 4 • 2024
Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014