Welcome to issue 9.3 of [in]Transition, a special issue co-conceived, co-produced and co-edited by our associate editors Ariel Avissar and Evelyn Kreutzer, which features the component elements of part one of Once Upon a Screen Volume 2, a follow up project to Once Upon a Screen, which appeared in The Cine-Files in 2020.
In The Cine-Files collection, the project editors asked their contributors to create videographic explorations of personal, “traumatic” screen memories from their childhoods. For the second iteration, proudly published here at [in]Transition, Ariel and Evelyn decided to go one step further in bringing together personal and collective memories and to experiment more radically with notions of collaborative authorship in videographic practices. This time, they asked colleagues first to submit a short text, describing a formative screen memory from any point in their lives, without naming the media source to which they referred. This resulted in the production of sixteen texts, which they then re-shuffled and distributed anonymously among the group, so that each participant received a text that was not their own, along with an invitation to make a video based on that text. The editors did not specify how closely or loosely the video needed to adhere to the text. The identities of the authors were only revealed to the video makers after the videos were finished.
The resulting videos will be published in two installments, beginning with the current issue of [in]Transition, which also features Ariel and Evelyn's introduction to the project and a response by one of the editors of [in]Transition, Catherine Grant.
Editors: Ariel Avissar (Editor), Evelyn Kreutzer (Editor), Catherine Grant (Co-Editor)
Editorial
Once Upon a Screen Vol. 2, Part 1 – Introduction by Co-Guest Editors
Ariel Avissar and Evelyn Kreutzer
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Research Articles
The Clown, The Tree, The Shadows
Jiří Anger and Veronika Hanáková
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Who’s the Monster Now
Maria Hofmann
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Radical Elsewhere
Philip Brubaker
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
In The Control Room
Julia Schoenheit
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Can I Remember It Differently?
Cormac Donnelly
2022-10-22 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
True Enough
Lého Galibert-Laîné
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Angstlust
Alan O'Leary
2022-10-21 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Mirror, Mirror
Ariel Avissar and Evelyn Kreutzer
2022-10-22 Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Issue Archive
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Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014