Welcome to issue 7.1 of [in]Transition, a journal devoted exclusively to peer-reviewed videographic work. All of the issue's videos are accompanied by curatorial statements from their makers, as well as peer reviewers' evaluations. As usual, we are publishing these peer reviews in the spirit of openness, to encourage scholarship as conversation, and to help our discipline establish a set of criteria for what constitutes valid scholarship in this emerging form. We welcome readers and viewers to join this conversation in the same spirit.
As the editor on duty, I just want to take a moment to thank all of the editors, contributors, and peer reviewers for assisting me in shepherding this issue through to publication. Initially slated for publication during the annual Society for Cinema and Media Studies Conference to launch into our seventh year as a journal, the issue was delayed due to the COVID-19 pandemic and all of the moving parts that seem to be part of our new normal (getting online courses ready, taking care of children who may be home from school, etc.). Yet, all of our personnel felt proud of the work that had already been done and shared the sentiment that it might be a nice repreive from the news to focus on a project for a bit. I appreciate all your hard work. Thank you.
As always, [in]Transition is accepting submissions of videographic work for peer-reviewed publication in subsequent issues. However, please note that due to the recent developments related to COVID-19 and how it is affecting our work, it might take longer than usual for us to make a decision regarding your submission. You can find out further information about this by clicking on the "Contribute to [in]Transition" tab above.
-Drew Morton
Editors: Drew Morton (Editor)
Research Articles
Santa y Teresa: A Walking Dialogue between two Cuban Characters
Michelle Leigh Farrell
2020-03-31 Volume 7 • Issue 1 • 2020
Issue Archive
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Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014