Welcome to [in]Transition’s first issue of 2025, 12.1. This issue features eight peer-reviewed videographic work that focus on a variety of film and moving image studies topics: gestures and gender dynamics in classical Hollywood cinema; the representation of male mental health and working-class masculinity in Ken Loach’s Looking for Eric; the portrayal of landscape and its symbolic value in contemporary Galician cinema; the Chinese series The Untamed and transcultural fandom; trains as a recurring motif in the work of Hideaki Anno; videotapes as precarious and palimpsestic memory devices; the visual and aural aspects in the representation of women in New Turkish Cinema; the musical affect of Irish history films and the influential work of the composer Seán Ó Riada.
As usual, we would like to remind you that our journal welcomes new submissions.
We would also like to take a moment to thank all of our peer reviewers. We appreciate their hard work and constructive feedback. That being said, we would also eagerly welcome new reviewers. If you are interested in reviewing for our journal, please contact us.
Chiara Grizzaffi, Drew Morton and Alan O'Leary, co-editors
Kevin Ferguson and Kathleen Loock, production editors
Jason Mittell, journal manager
Research Articles
Many Cantonas: Mental Health and the "Invisible Companion" in Looking for Eric (2009)
David Martin-Jones
2025-03-23 Volume 12 • Issue 1 • 2025
Blurring the Boundaries: Galician Cinematic Landscape as a Transnational Character
Eva Álvarez-Vázquez
2025-03-23 Volume 12 • Issue 1 • 2025
On the Art of Affective Repetition: Fan Video & The Untamed
Louisa Stein
2025-03-23 Volume 12 • Issue 1 • 2025
Phantom Rides: Trains in the Work of Hideaki Anno
River Seager
2025-03-23 Volume 12 • Issue 1 • 2025
Fading Echoes: Remembering and Forgetting through Videotapes
Vladimir Rosas-Salazar
2025-03-23 Volume 12 • Issue 1 • 2025
Scoring Irish History: The Ó Riada Effect
Steven S Sehman and Niall Ó Murchú
2025-03-23 Volume 12 • Issue 1 • 2025
Issue Archive
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Volume 12 • Issue 1 • 2025
Volume 11 • Issue 4 • 2024
Volume 11 • Issue 3 • 2024 • Special Issue: Women and Aging
Volume 11 • Issue 2 • 2024
Volume 11 • Issue 1 • 2024 • OLH Launch Issue
Volume 10 • Issue 4B • 2024 • Special Pedagogy Issue: The TV Dictionary
Volume 10 • Issue 4A • 2023 • Special Pedagogy Issue: Videographic Responses
Volume 10 • Issue 3 • 2023 • Special Issue: Feminist Videographic Diptychs
Volume 10 • Issue 2 • 2023
Volume 10 • Issue 1 • 2023
Volume 9 • Issue 4 • 2023 • Special Issue: Once Upon a Screen, vol. 2, part 2
Volume 9 • Issue 3 • 2022 • Special Issue: Once Upon a Screen, vol. 2, part 1
Volume 9 • Issue 2 • 2022
Volume 9 • Issue 1 • 2022
Volume 8 • Issue 3 • 2021
Volume 8 • Issue 2 • 2021
Volume 8 • Issue 1 • 2021
Volume 7 • Issue 3 • 2020
Volume 7 • Issue 2 • 2020
Volume 7 • Issue 1 • 2020
Volume 6 • Issue 4 • 2019 • Special Issue: Montage Reloaded
Volume 6 • Issue 3 • 2019
Volume 6 • Issue 2 • 2019 • Special Issue: Audiographic Criticism
Volume 6 • Issue 1 • 2019
Volume 5 • Issue 4 • 2018
Volume 5 • Issue 3 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 5 • Issue 2 • 2018
Volume 5 • Issue 1 • 2018 • Special Issue: Scholarship in Sound & Image Workshop
Volume 4 • Issue 4 • 2017
Volume 4 • Issue 3 • 2017 • Special Issue: The Poetics of Eye Tracking
Volume 4 • Issue 2b • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 2a • 2017 • Special Issue: Indefinite Visions
Volume 4 • Issue 1 • 2017 • Special Issue: Reflecting on Three Years of [in]Transition
Volume 3 • Issue 4 • 2016
Volume 3 • Issue 3 • 2016 • Special Issue: Latin American Cinema
Volume 3 • Issue 2 • 2016
Volume 3 • Issue 1 • 2016
Volume 2 • Issue 4 • 2016 • Special Issue: Scholarship in Sound & Image Workshop
Volume 2 • Issue 3 • 2015
Volume 2 • Issue 2 • 2015 • Special Issue: Collaboration with Cinema Journal
Volume 2 • Issue 1 • 2015
Volume 1 • Issue 4 • 2014 • Special Issue: Video Essays and Hollywood
Volume 1 • Issue 3 • 2014 • Special Issue: Practice & Theory of the Audiovisual Essay
Volume 1 • Issue 2 • 2014 • Special Issue: Formal Parameters and Videographic Criticism
Volume 1 • Issue 1 • 2014